A new setting dictates a new modus in which to work: there is no material to quote from on hand. The modus is prompted by … (Sergei Eisenstein, 1988)
How do we engage with future materials as a haptic and abstract engagement with the luxuries of redrafting social zones? What tools, knowledges, micro universes, and referential points do we invent, leading to a ceremonial aspect of fabricating the social? What social and non/institutional imaginaries are stitched together and piled up, when the function of things (composites) is no longer given, determined, fixed?
A Possible Field of Reference:
Åbäke: I saw that we had come to a treasure house, filled with tricknology.